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LM-22FX



22- Input 2/2-Bus Mixer


with Mic Preamps, EQs,


24-Bit Multi-FX Processor


and USB/Audio Interfacce




LM-22FX

22- Input 2/2-Bus Mixer

with Mic Preamps, EQs,

24-Bit Multi-FX Processor

and USB/Audio Interfacce

The McLELLAND LM-FX Series Console Mixers could bring you simple interface, onboard digital effects and possibilities of digital recording. These series products built in premium mic preamps which could provide such transparent, crystal-clear performance you just might think someone upgraded your mics. And thanks to available onboard phantom power, you can deploy studio-quality condenser mics-pretty cool for drum overheads and tracking vocals in the studio. The superb built-in 24 bit effect processor could provide 100 preset programs from a small hall to a robust stadium reverb, or anything in-between. There are even combination effects for layering delays and reverbs, choruses and reverbs, or phasing and chorusing. With these designs, the LM-FX series console mixers will bring you new feeling of audio mixing.

Features

•Premium ultra low-noise, high headroom analog mixer
•8 state-of-the-art Mic Preamps with switchable +48V phantom power
•Neo-classic 3-band EQs with semi-parametric mid band for warm and musical sound
•Studio-grade 24-bit stereo FX processor with 100 presets
•USB/Audio Interface included to connect directly to your computer.
•Channel inserts on each mono channel for flexible connection of outboard equipment
•3 aux sends per channel: 1 pre fader for monitoring, 1 pre/post fader switchable for
•monitoring/FX applications, 1 post fader (for internal FX or as external send)
•Peak LEDs, mute, main mix and subgroup routing switches, solo and PFL functions on all channels
•2 subgroups with separate outputs for added routing flexibility; 3 multi-functional stereo aux
•returns with flexible routing
•Balanced main mix outputs with jack and gold-plated XLR connectors,
•separate control room, headphones and stereo tape outputs
•Control room/phones outputs with multi-input source matrix; Tape inputs assignable to
•main mix or control room/phones outputs
•60-mm logarithmic-taper faders and sealed rotary controls
•Internal autorange power supply for maximum flexibility (100 - 240 V~), noise-free audio,
•superior transient response plus low power consumption for energy saving
•Rack mount brackets included for ultimate flexibility
•High-quality components and exceptionally rugged construction ensure long life

Specifications

•THD: less than:0.004%
•Frequency Response: 20 Hz-20K Hz
•Input Hum & Noise: -101 dB
•Crosstalk: -90dB
•Phantom Power: +48 V
•CH & ST CH Input: +10 dB - +60 dB(Mic),
•gain control: -10 dB - +40 dB(Line)
•CH & ST High Pass Filter: 75 Hz, 18 dB/Oct
•CH EQ Mono High: +/- 15 dB @ 12K Hz
                            Mid: +/- 15 dB @ 100 Hz
                            -8K Hz adjustable
                            Low: +/- 15 dB @ 80 Hz
•CH EQ Stereo High: +/- 15 dB @ 12K Hz
                    Hi-Mid: +/- 15 dB @ 3K Hz
                    Low-Mid: +/- 15 dB @ 500 Hz
                    LOW: +/- 15 dB @ 80 Hz
•Intemal Digital Effect: 100 programs

 

Documents